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                         No.156—á‰ï@‚ēˆÄ“ā@@@@@@@‰H–؉@@@@@    ƒuƒ‰[ƒ€ƒX^@ƒsƒAƒmŽ•iW@ÐÆÚļÁŽ°@@@žŒīŒÚ–â

                       
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@@@@@@@@@@ Brahms ^Piano pieces    P. Yuki Amako

                      
@@@@@@@@ƒuƒ‰[ƒ€ƒX^ƒsƒAƒm‹Ķ‘t‹Č‘æ2”ԁ@@@‰ðā@žŒīŒÚ–â

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                   Brahms ^Piano Concerto No.2 in B-flat major  Op.83@      P.Misako Mihara@ P.Kana Hirose   page-turner Risa Arasawa

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ƒuƒ‰[ƒ€ƒX^ƒsƒAƒm‹Ķ‘t‹Č1”Ôƒj’Z’ē@Op.15   ŽwŠö ”ŅX”͐e@“Œ‹žÆ­°žÃĻŠĮŒ·Šy’c@P.ŽOŒī–ĒŽŅŽq@

@@@@@   @@@@@                                                               ŽŽ’Ū@https://www.youtube.com/watch?v=24HjXceYC08

                           P.ŽOŒī–ĒŽŅŽq CD  ĖÞŨ°Ņ―^ËßąÉŋÅĀ3”Ô,2‚‚ĖŨĖßŋÃÞĻ°‚Ų‚Đ
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@@@@@@@@‡@2017/1/29   No.147—á‰ï@ƒVƒ…[ƒ}ƒ“^ƒsƒAƒm‹Ķ‘t‹Č@ƒC’Z’ē@Op.54    P”š‘t•Ō
                @@@@@@@@@@@@@P:Œã“Ą—F—(‰ïˆõ)  @@@@ P”š‘t:žė‚Ý‚į‚Ē(‹Ë•ü‘å)

               ‡A2018/1/28   No.149—á‰ï@ƒVƒ…[ƒ}ƒ“^ƒ`ƒFƒ‹Ķ‘t‹Č@ƒC’Z’ē@Op.129   P”š‘t•Ō
                           
             Vc:ŒŽ—í(2017‰đƒRƒ“—DŸ‹L”O)  P”š‘t:”“c—R—ĒŽq
 

               ‡B2020/1/26   No.153—á‰ï@ƒuƒ‰[ƒ€ƒX^ƒ”ƒ@ƒCƒIƒŠƒ“‹Ķ‘t‹Č  @ƒj’·’ē@ Op.77   P”š‘t•Ō
                                         Vn:Žė‹ąŽq(2015‰đƒRƒ“—DŸ) @ P”š‘t:ŒÜ\—’ŒOŽq(2015‰đƒRƒ“3ˆĘ)

                                         ƒuƒ‰[ƒ€ƒX^ƒsƒAƒm‹Ķ‘t‹Č1”ԁ@    ƒj’Z’ē @Op.15   P”š‘t•Ō
                              
           P:›–ė‰ë‹I(‰ïˆõ)  @@@@ P”š‘t:›–ė‰ÂˆĪ(‰ïˆõ) 

               ‡C2020/12/6   No.154—á‰ï@ƒx[ƒg[ƒ”ƒFƒ“^ƒsƒAƒm‹Ķ‘t‹Č3”ԁ@ ƒn’Z’ē @Op.37   P”š‘t•Ō
            
                           @P:“ōŽq—T‹M(2018‰đƒRƒ“3ˆĘ)  P”š‘t:d–ėŒõ‘ū˜Y(‹Ë•ü‘å)

                        ‡D2021/12/5   No.156—á‰ï@ƒuƒ‰[ƒ€ƒX^ƒsƒAƒm‹Ķ‘t‹Č2”ԁ@   •Ïƒ’·’ē @Op.83   P”š‘t•Ō
                @@@@@@@@@@@@@P:ŽOŒī–ĒŽŅŽq(2019ƒuƒ‰[ƒ€ƒX‘ÛƒRƒ“—DŸ) P”š‘t:œAĢ‰Á“Þ


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            E2019 ‘æ2‰ņ ƒhƒCƒcEƒfƒgƒ‚ƒ‹ƒg=ƒuƒ‰[ƒ€ƒXEƒsƒAƒmEƒRƒ“ƒN[ƒ‹@‘æ1ˆĘ    
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    @@@@@@@   ĄJBSƒA[ƒJƒCƒu (JBS Archive@since 1973)     XV 2021/1/17
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@@@@@@@@@@@@@@      ŠÞ–{^—Œ·ŠyŽld‘t’c@@@ĖÞŨ°Ņ―/Œ·ŠyŽld‘t‹Č‘æ2”ԁ@@Vn@ŠÞ–{^—A—F“cŒ[–ū
@@@@@@@@@@@@@@@@@1973.9.16  6:30pm@@@@@ @ĖÞŨ°Ņ―/Œ·ŠyŽld‘t‹Č‘æ3”ԁ@@Va@›Ā€ƒjAVc •Ār•v
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@@@@@@ (‚Q) âV“ĄG—Yæķ–vŒã40Žü”N@@@@@@@@@@@@@@@@@@@‚P‚X‚V‚S ^‚Q‚O‚P‚S
                                          
    ‚ēĀ‹Ž”ž”N‘O‚Ė1974”N—á‰ïNo2‚Ö‚Ė‚ēŽQ‰Á‚ÉŠīŽÓ@
 
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The 40th anniversary of Prof.Hideo.Saitofs death.
                                                                      The many thanks to joinnng our No2 concert in 1974
                                                                       just half year before his death

@@@@@@@@@@@@@@@@@         2014”N‚Í‹Ë•üŠw‰€‚ĖâV“ĄG—Yæķ–vŒã40Žü”N‚Å‚·B
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@@@@@@@@@@@@@@@@@                                 ‚É‚ē—ˆ ’Ū‰š‚ģ‚Ē‚Ü‚ĩ‚―B

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@@@@@@@@@@@@@@@@@@@@  ‰‰‘t@ĖÞŨ°Ņ―@ƒsƒAƒmŽOd‘t‹Č1”ԁ@ƒ’·’ē@Op.
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                                                                       ŽĘ^:‹qČ‚ĖâV“Ąæķ (C)JBS-hagi
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    @@@@     
                                                  ‰ïŽ42/2014          @@@@@                       “Į‚Þ(READ)@

                                            
âV“ĄG—Yæķ   Prof.Hideo Saito (1902-1974)

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 @          @(‚R)‚m‹ŋƒtƒBƒ‹ƒn[ƒ‚ƒj[@1977-12ŒŽ†@@@@@@@@@@@@@@@ @@‚P‚X‚V‚V
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No.32—á‰ï(77/10/2)ŽæÞ‚ðŽó‚Ŋ‚é  
                             
                                          

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@          (‚S) —á‰ïNo 46 ‰Š“c”Ž”ü(“–ŽžŠwķ‰ïˆõ)   1979”N‘æ48‰ņ‰đƒRƒ“—DŸ‹L”O @‚P‚X‚W‚O@

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@@@@@@@(‚T)@JEƒuƒ‰[ƒ€ƒXķ’a150”N‹L”OÕ@@@@@@@@@@@@@@@@@@@ @‚P‚X‚W‚R

@@@@@@@@@@@@‚P‚X‚W‚R^‚T^‚V@t—á‰ïNo.68

                 

               ‘æ68‰ņ—á‰ïF1983D5D7  @Î‹īƒƒ‚ƒŠƒAƒ‹ƒz[ƒ‹    ƒƒˆƒnƒlƒXEƒuƒ‰[ƒ€ƒXķ’a‚P‚T‚O”NÕ„  

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20-11-17ÁŨž’Į‰Á     

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@                 @2DƒsƒAƒm“Æ‘t  FŽå‘č‚Æ•Ï‘tiŒ·Šy˜Zd‘t‹Č OpD18‚æ‚čj                             ‰Š“c”Ž”üiPfj
 
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                 @@8D‰Ė‹Č        F‚W‚‚ĖƒWƒvƒV[‚Ė‰Ė@OpD103‚æ‚č4‹Č             @“c“‡—eŽqiSopjŽōˆŸ‹IŽqiPfj
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                  1983.5.7 NHK@–é7PM ‘S‘ƒjƒ…[ƒX‚É‚Č‚é@@@’†‰›@Vc.“ĄŒī^—Ž(‰ï—F “–Žž)



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                (‚U)@JEƒuƒ‰[ƒ€ƒXķ’a150”N‹L”OÕ@@@H—á‰ïNo.69,70,71@@@@@ @‚P‚X‚W‚R

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@@@@@‘æ69‰ņ—á‰ïF1983D9D11   ƒ‹[ƒeƒ‹Žsƒ–’JƒZƒ“ƒ^[ ƒķ’a150”N‹L”O ^‰Ė‹Č‚ƃ”ƒBƒIƒ‰‚Ėƒ^ƒx„   20-11-17ÁŨž’Į‰Á

@@@@@‚PDƒVƒ…[ƒxƒ‹ƒg Fƒ~ƒ…[ƒY‚ĖŽq  D764DŽá‚Ē“ō‘m  DD826
@@ @‚QDƒuƒ‰[ƒ€ƒX   F‚Đ‚ķ‚â OpC19|4 ‚Ü‚Į‚ë‚Ý‚Í‚Ē‚æ‚Ē‚æó‚­ OpD105-2  ‚Ļ‚Æ‚ß‚Ė‰ĖOpD107|5
                
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        3.ƒuƒ‰[ƒ€ƒX    FƒAƒ‹ƒg‚Ė‚―‚ß‚Ė‚Q‚‚Ė‰Ėiƒ”ƒBƒIƒ‰•‘t•tj OpD91
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        4Dƒ”ƒ†[ƒ^ƒ“   FƒJƒuƒŠƒ`ƒH 
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         ‘æ70‰ņ—á‰ïF1983D10D22  _Šyâ ‰đŠy‚Ė—Fƒz[ƒ‹   ƒķ’a150”N‹L”O^ ƒ`ƒFƒ‚ƃsƒAƒm‚Ėƒ^ƒx„@

            1Dƒuƒ‰[ƒ€ƒXFƒ`ƒFƒƒ\ƒiƒ^ ‘æ1”Ô ƒz’Z’ē     OpD38      ž”gŒbŽqiVcj ŽX’JōiPfj
            2Dƒuƒ‰[ƒ€ƒXF3‚‚ĖƒCƒ“ƒeƒ‹ƒƒbƒcƒI         OpD117                    ŽX’JōiPfj
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                                     ‰đŠy‚Ė—Fƒz[ƒ‹@1983.10.22    ÍÞ°ūÞÝÄÞŲĖ§°ĨēÝÍßØąŲ290                                          

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         ‘æ71‰ņ—á‰ïF1983D11D20 Vh•ķ‰ŧƒZƒ“ƒ^[Žƒz[ƒ‹ ƒķ’a150”N‹L”O ^ƒzƒ‹ƒ“‚ƃNƒ‰ƒŠƒlƒbƒg‚Ėƒ^ƒx„

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        @   @ (‚Wj ’Į“‰ wƒEƒHƒ‹ƒtƒKƒ“ƒOĨƒTƒ”ƒ@ƒŠƒbƒVƒ…Ž‚ɐS‚Đ‚į‚ĖŠīŽÓx    @‚P‚X‚W‚T^‚Q‚O‚P‚R
                  @@@@@@@@@@@@@@
Hearty thanks to Prof.‚volfgang ‚rawallisch. 

                                                    
                                           
“ú–{ƒuƒ‰[ƒ€ƒX‹Ķ‰ï(JBS)@
@@@@@@@@@@@@@@@@@@@@@@@ No78—á‰ï  u
WEŧģÞ§ØŊž­“Á•Ęu‰‰Ģ@1985”N5ŒŽ12“ú  
@@@@     @@@@@@@@@@@@@@@ @
Dr.Wolfgang Sawallisch@JBS No.78@Lecture-Concert 
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ 12 May 1985 Tokyo
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@@@@@@@@@@@@@@@@@‰H–ØŠēŽ–(JBSŠé‰æ’S“–)  @@@u‰‰@ WEŧģÞ§ØŊž­Ž  @@’Ę–ó@P.™’JšŽqŽ(‰ï—F@“–Žž)

@@@@@@@@@@@@@@@@@@@@@@@

@@@@@@@@@  
@@@@@@@@@@@@@‰ïŽ41†/2013@@@@@@@@@@@@@@@@@@@@@
@@@@@      @“Į‚Þ(READ)@ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

@@@@                             @@  @@ WEŧģÞ§ØŊž­Ž @
Dr.Wolfgang Sawallisch@(1923-2013)  
              @@@@@@@@@@@@@@@@@

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@@@@@@@@               @‘æ79‰ņ—á‰ïF1985D6D30@  ƒT[ƒ‹Eƒ€ƒWƒJ‘å‹v•Û 

@@@@@@@@@    @1D‚Ļ˜b‚ĩ FuƒVƒ…[ƒ}ƒ“‚ƃuƒ‰[ƒ€ƒX‚ĖƒsƒAƒmŒÜd‘t‹Č‚ɂ‚Ē‚āv@    ‰i•y˜aŽq

 @@@@@@@@@@@@@@@2D‰‰‘t  @:@ƒuƒ‰[ƒ€ƒXFƒ”ƒ@ƒCƒIƒŠƒ“Eƒ\ƒiƒ^  ‘æ3”Ô  ƒj’Z’ē Op.108 

@@@@@@@@@@@@@@@@@                                     ÎˆäŒõŽq(Vnj ‰i•y˜aŽq(Pfj

                                     @‰i•y˜aŽq(Pfj
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                     (‚P‚O) •ž•”–LŽq@  ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ï @@       ‚P‚X‚W‚U
@@@@@@@@@
Toyoko Hattri@@@The Concert of Brahms three Violin Sonatas

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@@@@@@@@@@@@@    @@@@ @
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                  1986.4.6  @ No83—á‰ï@         ‚u‚Ž •ž•”–LŽq@@Toyoko Hattri

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@

@@@@@@@ (‚P‚Pj ’Į“‰@ƒNƒ‹ƒgEƒ}ƒYƒAŽ@  @@ @@@@@@@@@@@@@@@  ‚P‚X‚W‚X ^‚Q‚O‚P‚T
 @@@@@ @@@@@@ 1989”N ‚i‚a‚r-No95—á‰ï‚ē—ˆ’Ū‚ɐS‚æ‚čŠīŽÓ’v‚ĩA‚ē–ŧ•Ÿ‚ð‚Ļ‹F‚č\‚ĩã‚°‚Ü‚·B
@@@@@@@@@@@@@@ Prof. Kurt Masur visited our Japan Brahms Society No.95 Concert
@@@@@@@@@@@@@@ in Dec.4,1989

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                                        ‰ïŽ43/2015                
@“Į‚Þ(READ)@

                                 ƒNƒ‹ƒgEƒ}ƒYƒAŽ@Prof. Kurt Masur@(1927-2015)  

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    @@@@@@@@@     @@
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   @@@@@@@@ (A)ƒuƒ‰[ƒ€ƒXĒķŠU‚ƍė•iĢ   ‘S31‰ņ@1985.11.23`1989.10.14          Šé‰æEu‰‰@ŽŽRō(‰ïˆõ)

@@ @@@@@          @@ (B) SPƒŒƒR[ƒh‚Å’Ū‚­ƒuƒ‰[ƒ€ƒX@    ‘æ1‰ņ@1987.12.27
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@@@@@@@@@@@@@@@@@@@@@@@@@@@@                                                          @@1992.2.23@@@@Photo ©JBS

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@@@@@@@@

 @@@@@  (‚P ‚R) “ú–{ƒuƒ‰[ƒ€ƒX‹Ķ‰ï@‘æ‚P‚O‚O‰ņ@‹L”O—á‰ï @@@‚P‚X‚X‚P ^‚X^‚Q‚Q
           
             Detlef Kraus  ’Đ”ä“Þ—ē  George S. Bozarth  ŠeŽ‚Đ‚į‚ĖŒäjŽŦ 

                                          @@@@11/6XV

                                     

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  @@@@@@@ @ @ (‚P‚S) “V–ž“ÖŽq@      ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ï             ‚P‚X‚X‚Q
@@@@@@@@@@@
Atsuko Temma@@@The Concert of Brahms three Violin Sonatas

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                                               1992.5.17@ No101—á‰ï          ‚u‚Ž  “V–ž“ÖŽq  Atsuko Temma

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@@@@@@@@@@@@ƒuƒ‰[ƒ€ƒX‚ÆŽü•Óė‹Č‰Æ@1995.9.24  ƒuƒ‰[ƒ€ƒX‚ƃCƒMƒŠƒX‚Ėė‹Č‰Æ@@ƒGƒ‹ƒK[AƒXƒ^ƒ“ƒtƒH[ƒhA        @@
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               œŠHė–įĄŽu(1925-1989)ė‹Č‰Æ @ ‰ïŽNo.7/1977  u“ú–{‚Ėƒuƒ‰[ƒ€ƒXv

              
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