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                                                                                       pdfƒ`ƒ‰ƒV  11/6

             

                    
   
                                                                                                            

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                                                               Schumann :Ghost variations    P.Kaai Sugano


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@@@@@@@@@@@@@@@@@@    ƒuƒ‰[ƒ€ƒX@^@ƒ”ƒ@ƒCƒIƒŠƒ“‹Ļ‘t‹Č@ƒj’ˇ’˛@Op.77@Vn.Ŧė‹ąŽq@P.ŒÜ\—’ŒOŽq
                                                    Brahms:Violin concerto in D major Op.77  Vn.Kyoko Ogawa   P.Kaoruko Igarashi
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@@@@@@@@@@@@@@@@@@@@    ƒCƒ“ƒ^ƒrƒ…[@@@@@@ąŨē°Ų@ƒVƒ…[ƒ}ƒ“@^3‚‚Ėƒƒ}ƒ“ƒX‘æ2‹Č
                                                       Interview     and   an encore  Schumann  3  Romances No.2  Op.94      


@@@@@@@@@@@@@          
@@@@@@@@@@@@@@@@   ƒuƒ‰[ƒ€ƒX@^@ƒsƒAƒm‹Ļ‘t‹Č@‘æ1”ԁ@ƒj’Z’˛@Op.15@@     ›–ė‰ë‹I@@›–ė‰Âˆ¤
                                                  Brahms:Piano concerto No.1 in@D@minor@Op.15@@@P.Masanori Sugano  Kaai Sugano





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                             @@@@@               
                    
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pdfƒ`ƒ‰ƒV        @@@@@@JBSŽŸ‰ņ—á‰ī


                           
                 
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   I—š ‚Q‚O‚P‚V ƒVƒ…[ƒ}ƒ“^ƒsƒAƒm‹Ļ‘t‹Č@     ƒC’Z’˛@Op.54    P.Œã“Ą—F—@‰īˆõ
   I—š ‚Q‚O‚P‚W ƒVƒ…[ƒ}ƒ“^ƒ`ƒFƒ‹Ļ‘t‹Č@     ƒC’Z’˛@Op.129 
Vc.ŒŽ —í (2017”N‰šƒRƒ“—DŸ)
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I—š ‚Q‚O‚Q‚O ƒuƒ‰[ƒ€ƒX^ƒsƒAƒm‹Ļ‘t‹Č ‘æ1”Ô ƒj’Z’˛ Op.15    P.›–ė‰ë‹I@‰īˆõ
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                           ‰H–؉ī’ˇ@—á‰īā–ž@@@@@@@@@@@@@@@@@@@@ŧŒ´ŒÚ–â@@‹Č–Ú‰đā
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 2017 ƒVƒ…[ƒ}ƒ“ ƒsƒAƒm‹Ļ‘t‹Č ‚o”ē‘t”Ł@               2018 ƒVƒ…[ƒ}ƒ“@ƒ`ƒFƒ‹Ļ‘t‹Č ‚o”ē‘t”Å
@@@@  @PŒã“Ą—F—(‰īˆõ)  Pŧė‚Ũ‚į‚ĸ@ ŧė‹ŋ‹M           VcŒŽ—í@P”“c—R—ĸŽq
2017”N ‰šƒRƒ“—DŸ‹L”O—á‰ī
                   Ú×ƒy[ƒW                                     Ú×ƒy[ƒW

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    @@@@@@@   ĄJBSƒA[ƒJƒCƒu (JBS Archive)               XV 2020/11/17
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                                              @@@@@@@@@    @(C)JBS @‘S“]Ú‹ÖŽ~

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@@@@@@@@@@(‚P)‘æ1‰ņ—á‰ī@ @@ŠŪ–{^—ŒˇŠyŽld‘t’c @@@@@@@@@@@  @‚P‚X‚V‚R
@@@@@@@@@@@@@@@@@ @uĖŪ×°ŅŊ@Žē“āŠy‚Ė—[‚ׁv@ĖßÛ¸Ū×Ņ‚æ‚č

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@@@@@@@@@@@@@@      ŠŪ–{^—ŒˇŠyŽld‘t’c@@@ĖŪ×°ŅŊ/ŒˇŠyŽld‘t‹Č‘æ2”ԁ@@Vn@ŠŪ–{^—A—F“cŒ[–ž
@@@@@@@@@@@@@@@@@1973.9.16  6:30pm@@@@@ @ĖŪ×°ŅŊ/ŒˇŠyŽld‘t‹Č‘æ3”ԁ@@Va@›Ā€ƒjAVc •Ār•v
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  ĖŪ×°ŅŊ/¸×ØČ¯ÄŒÜd‘t‹Č@@@@cl  –k’Ü—˜ĸ

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@@@@@@ (‚Q) âV“ĄG—Yæļ–vŒã40Žü”N@@@@@@@@@@@@@@@@@@@‚P‚X‚V‚S ^‚Q‚O‚P‚S
                                          
    ‚˛Ā‹Ž”ŧ”N‘O‚Ė1974”N—á‰īNo2‚Ö‚Ė‚˛ŽQ‰Á‚ÉŠ´ŽĶ@
 
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The 40th anniversary of Prof.Hideo.Saitofs death.
                                                                      The many thanks to joinnng our No2 concert in 1974
                                                                       just half year before his death

@@@@@@@@@@@@@@@@@         2014”N‚Í‹Ë•üŠw‰€‚ĖâV“ĄG—Yæļ–vŒã40Žü”N‚Å‚ˇB
@@@@@@@@@@@@@@@@                @                ‚P974”N‚˛Ā‹Ž‚Ė6ƒ–ŒŽ‘OA3^‚Q‚S—á‰īi‚oƒgƒŠƒI‚P”Ô)
@@@@@@@@@@@@@@@@@                                 ‚É‚˛—ˆ ’Ž‰ē‚ŗ‚ĸ‚Ü‚ĩ‚ŊB

                    @@@@@@@@@
                                                            @@@—á‰īNo2@‰Ą•l@`‚ĖŒŠ‚Ļ‚é‹uŒö‰€@ƒCƒMƒŠƒXŠŲ
                                @@@    u‰‰@ĖŪ×°ŅŊ‚Ė‰šŠy‚đ‚ŗ‚ŗ‚Ļ‚é‚ā‚Ė@ ė‹Č‰Æ@Ŧ‘q˜N

@@@@@@@@@@@@@@@@@@@@  ‰‰‘t@ĖŪ×°ŅŊ@ƒsƒAƒmŽOd‘t‹Č1”ԁ@ƒ’ˇ’˛@Op.
8
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Vn‰i“c–MŽq@Vc“ĄŒ´^—@PŽ­–ė‚Ė‚čŽq@ 

                                                                       ŽĘ^:‹qČ‚ĖâV“Ąæļ (C)JBS-hagi
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    @@@@     
                                                  ‰īŽ42/2014          @@@@@                       “Į‚Ū(READ)@

                                            
âV“ĄG—Yæļ   Prof.Hideo Saito (1902-1974)

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 @          @(‚R)‚m‹ŋƒtƒBƒ‹ƒn[ƒ‚ƒj[@1977-12ŒŽ†@@@@@@@@@@@@@@@ @@‚P‚X‚V‚V
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No.32—á‰ī(77/10/2)ŽæŪ‚đŽķ‚¯‚é  
                             
                                          

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@          (‚S) —á‰īNo 46 ‰Ē“c”Ž”ü(“–ŽžŠwļ‰īˆõ)   1979”N‘æ48‰ņ‰šƒRƒ“—DŸ‹L”O @‚P‚X‚W‚O@

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                                                                                               Šg‘å}

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@@@@@@@(‚T)@JEƒuƒ‰[ƒ€ƒXļ’a150”N‹L”OÕ@@@@@@@@@@@@@@@@@@@ @‚P‚X‚W‚R

@@@@@@@@@@@@‚P‚X‚W‚R^‚T^‚V@t—á‰īNo.68

                 

               ‘æ68‰ņ—á‰īF1983D5D7  @Î‹´ƒƒ‚ƒŠƒAƒ‹ƒz[ƒ‹    ƒƒˆƒnƒlƒXEƒuƒ‰[ƒ€ƒXļ’a‚P‚T‚O”NÕ„  

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20-11-17Á×ŧ’Į‰Á     

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                  1983.5.7 NHK@–é7PM ‘S‘ƒjƒ…[ƒX‚É‚Č‚é@@@’†‰›@Vc.“ĄŒ´^—Ž(‰ī—F “–Žž)



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                (‚U)@JEƒuƒ‰[ƒ€ƒXļ’a150”N‹L”OÕ@@@H—á‰īNo.69,70,71@@@@@ @‚P‚X‚W‚R

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@@@@@‘æ69‰ņ—á‰īF1983D9D11   ƒ‹[ƒeƒ‹Žsƒ–’JƒZƒ“ƒ^[ ƒļ’a150”N‹L”O ^‰Ė‹Č‚ƃ”ƒBƒIƒ‰‚Ėƒ^ƒx„   20-11-17Á×ŧ’Į‰Á

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            2Dƒuƒ‰[ƒ€ƒXF3‚‚ĖƒCƒ“ƒeƒ‹ƒƒbƒcƒI         OpD117                    ŦX’JōiPfj
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        @   @ (‚Wj ’Į“‰ wƒEƒHƒ‹ƒtƒKƒ“ƒOĨƒTƒ”ƒ@ƒŠƒbƒVƒ…Ž‚ɐS‚Š‚į‚ĖŠ´ŽĶx    @‚P‚X‚W‚T^‚Q‚O‚P‚R
                  @@@@@@@@@@@@@@
Hearty thanks to Prof.‚volfgang ‚rawallisch. 

                                                    
                                           
“ú–{ƒuƒ‰[ƒ€ƒX‹Ļ‰ī(JBS)@
@@@@@@@@@@@@@@@@@@@@@@@ No78—á‰ī  u
WEģŗŪ§Ø¯ŧ­“Á•Ęu‰‰Ŗ@1985”N5ŒŽ12“ú  
@@@@     @@@@@@@@@@@@@@@ @
Dr.Wolfgang Sawallisch@JBS No.78@Lecture-Concert 
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ 12 May 1985 Tokyo
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@@@@@@@@@@@@@@@@@‰H–ØŠ˛Ž–(JBSŠé‰æ’S“–)  @@@u‰‰@ WEģŗŪ§Ø¯ŧ­Ž  @@’Ę–ķ@P.™’JēŽqŽ(‰ī—F@“–Žž)

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@@@@@@@@@  
@@@@@@@@@@@@@‰īŽ41†/2013@@@@@@@@@@@@@@@@@@@@@
@@@@@      @“Į‚Ū(READ)@ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

@@@@                             @@  @@ WEģŗŪ§Ø¯ŧ­Ž @
Dr.Wolfgang Sawallisch@(1923-2013)  
              @@@@@@@@@@@@@@@@@

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                        (‚V) •ž•”–LŽq@  ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ī @@       ‚P‚X‚W‚U
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Toyoko Hattri@@@The Concert of Brahms three Violin Sonatas

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                  1986.4.6  @ No83—á‰ī@         ‚u‚Ž •ž•”–LŽq@@Toyoko Hattri

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@@@@@@@ (‚W) ’Į“‰@ƒNƒ‹ƒgEƒ}ƒYƒAŽ@  @@ @@@@@@@@@@@@@@@  ‚P‚X‚W‚X ^‚Q‚O‚P‚T
 @@@@@ @@@@@@ 1989”N ‚i‚a‚r-No95—á‰ī‚˛—ˆ’Ž‚ɐS‚æ‚芴ŽĶ’v‚ĩA‚˛–ģ•Ÿ‚đ‚¨‹F‚č\‚ĩã‚°‚Ü‚ˇB
@@@@@@@@@@@@@@ Prof. Kurt Masur visited our Japan Brahms Society No.95 Concert
@@@@@@@@@@@@@@ in Dec.4,1989

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                                        ‰īŽ43/2015                
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                                 ƒNƒ‹ƒgEƒ}ƒYƒAŽ@Prof. Kurt Masur@(1927-2015)  

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    @@@@@@@@@     @@
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@@ @@@@@          @@ (B) SPƒŒƒR[ƒh‚Å’Ž‚­ƒuƒ‰[ƒ€ƒX@    ‘æ1‰ņ@1987.12.27
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 @@@@@  (‚P‚O) “ú–{ƒuƒ‰[ƒ€ƒX‹Ļ‰ī@‘æ‚P‚O‚O‰ņ@‹L”O—á‰ī @@@‚P‚X‚X‚P
           
             Detlef Kraus  ’Š”ä“Ū—˛  George S. Bozarth  ŠeŽ‚Š‚į‚ĖŒäjŽĢ 

                                     

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  @@@@@@@ @ @ (‚P1) “V–ž“ÖŽq@      ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ī             ‚P‚X‚X‚Q
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Atsuko Temma@@@The Concert of Brahms three Violin Sonatas

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                                               1992.5.17@ No101—á‰ī          ‚u‚Ž  “V–ž“ÖŽq  Atsuko Temma

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“Į‚Ū(READ)@                      Detlef Kraus       1985-10-10  Tokyo

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               œŠHė–įĄŽu(1925-1989)ė‹Č‰Æ @ ‰īŽNo.7/1977  u“ú–{‚Ėƒuƒ‰[ƒ€ƒXv

              
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