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                ĄŽåÃ@     “ú–{ƒuƒ‰[ƒ€ƒX‹Ļ‰īi‚i‚a‚rj

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@@@@@@@@@@@@@@@@@@@         @@—á‰ī—\’č‚Ɛ„‘EƒRƒ“ƒT[ƒg‚Ėā–ž@@@@@JBS‰ī’ˇ@‰H–ØŒõ•F


                                                
@@@@@@@@@@@@@@@@@@@                Ži‰ī‚Æ‹Č–Ú‰đā@@@@@@@@@@@@@@JBSŒÚ–â@ŧŒ´–Ģ
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                                        @@@@           @ƒVƒ…[ƒ}ƒ“@ ^@¸—ė‚ĖŽå‘č‚É‚æ‚é•Ī‘t‹Č@@@@@@›–ė‰Âˆ¤
                                                               Schumann :Ghost variations    P.Kaai Sugano


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@@@@@@@@@@@@@@@@@@    ƒuƒ‰[ƒ€ƒX@^@ƒ”ƒ@ƒCƒIƒŠƒ“‹Ļ‘t‹Č@ƒj’ˇ’˛@Op.77@Vn.Ŧė‹ąŽq@P.ŒÜ\—’ŒOŽq
                                                    Brahms:Violin concerto in D major Op.77  Vn.Kyoko Ogawa   P.Kaoruko Igarashi
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@@@@@@@@@@@@@@@@@@@@    ƒCƒ“ƒ^ƒrƒ…[@@@@@@ąŨē°Ų@ƒVƒ…[ƒ}ƒ“@^3‚‚Ėƒƒ}ƒ“ƒX‘æ2‹Č
                                                       Interview     and   an encore  Schumann  3  Romances No.2  Op.94      


@@@@@@@@@@@@@          
@@@@@@@@@@@@@@@@   ƒuƒ‰[ƒ€ƒX@^@ƒsƒAƒm‹Ļ‘t‹Č@‘æ1”ԁ@ƒj’Z’˛@Op.15@@     ›–ė‰ë‹I@@›–ė‰Âˆ¤
                                                  Brahms:Piano concerto No.1 in@D@minor@Op.15@@@P.Masanori Sugano  Kaai Sugano





@@@@@@@@@@@@@           
@@@@@@@@@@@@@@@@@@@@@@@@@   @ƒCƒ“ƒ^ƒrƒ…[   Interview

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                             @@@@@               
                    
@@2/11 Vc.…–ė—D–į@  3/7 Vc.ŒŽ—í@@8/8 Vc.X“cŒ[—C 
pdfƒ`ƒ‰ƒV        @@@@@@JBSŽŸ‰ņ—á‰ī


                           
                 
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   I—š ‚Q‚O‚P‚V ƒVƒ…[ƒ}ƒ“^ƒsƒAƒm‹Ļ‘t‹Č@     ƒC’Z’˛@Op.54    P.Œã“Ą—F—@‰īˆõ
   I—š ‚Q‚O‚P‚W ƒVƒ…[ƒ}ƒ“^ƒ`ƒFƒ‹Ļ‘t‹Č@     ƒC’Z’˛@Op.129 
Vc.ŒŽ —í (2017”N‰šƒRƒ“—DŸ)
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I—š ‚Q‚O‚Q‚O ƒuƒ‰[ƒ€ƒX^ƒ”ƒ@ƒCƒIƒŠƒ“‹Ļ‘t‹Č ƒj’ˇ’˛ Op.77    Vn.Ŧė‹ąŽq(2015”N‰šƒRƒ“—DŸ)
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I—š ‚Q‚O‚Q‚O ƒuƒ‰[ƒ€ƒX^ƒsƒAƒm‹Ļ‘t‹Č ‘æ1”Ô ƒj’Z’˛ Op.15    P.›–ė‰ë‹I@‰īˆõ
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                           ‰H–؉ī’ˇ@—á‰īā–ž@@@@@@@@@@@@@@@@@@@@ŧŒ´ŒÚ–â@@‹Č–Ú‰đā
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    @ 
 2017 ƒVƒ…[ƒ}ƒ“ ƒsƒAƒm‹Ļ‘t‹Č ‚o”ē‘t”Ł@               2018 ƒVƒ…[ƒ}ƒ“@ƒ`ƒFƒ‹Ļ‘t‹Č ‚o”ē‘t”Å
@@@@  @PŒã“Ą—F—(‰īˆõ)  Pŧė‚Ũ‚į‚ĸ@ ŧė‹ŋ‹M           VcŒŽ—í@P”“c—R—ĸŽq
2017”N ‰šƒRƒ“—DŸ‹L”O—á‰ī
                   Ú×ƒy[ƒW                                     Ú×ƒy[ƒW

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    @@@@@@@   ĄJBSƒA[ƒJƒCƒu (JBS Archive)               XV 2018/12/27
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                                              @@@@@@@@@    @(C)JBS @‘S“]Ú‹ÖŽ~

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@@@@@@@@@@(‚P)‘æ1‰ņ—á‰ī@ @@ŠŪ–{^—ŒˇŠyŽld‘t’c @@@@@@@@@@@  @‚P‚X‚V‚R
@@@@@@@@@@@@@@@@@ @uĖŪ×°ŅŊ@Žē“āŠy‚Ė—[‚ׁv@ĖßÛ¸Ū×Ņ‚æ‚č

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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@@@@@@@@@@@@@@      ŠŪ–{^—ŒˇŠyŽld‘t’c@@@ĖŪ×°ŅŊ/ŒˇŠyŽld‘t‹Č‘æ2”ԁ@@Vn@ŠŪ–{^—A—F“cŒ[–ž
@@@@@@@@@@@@@@@@@1973.9.16  6:30pm@@@@@ @ĖŪ×°ŅŊ/ŒˇŠyŽld‘t‹Č‘æ3”ԁ@@Va@›Ā€ƒjAVc •Ār•v
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  ĖŪ×°ŅŊ/¸×ØČ¯ÄŒÜd‘t‹Č@@@@cl  –k’Ü—˜ĸ

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@@@@@@ (‚Q) âV“ĄG—Yæļ–vŒã40Žü”N@@@@@@@@@@@@@@@@@@@‚P‚X‚V‚S ^‚Q‚O‚P‚S
                                          
    ‚˛Ā‹Ž”ŧ”N‘O‚Ė1974”N—á‰īNo2‚Ö‚Ė‚˛ŽQ‰Á‚ÉŠ´ŽĶ@
 
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The 40th anniversary of Prof.Hideo.Saitofs death.
                                                                      The many thanks to joinnng our No2 concert in 1974
                                                                       just half year before his death

@@@@@@@@@@@@@@@@@         2014”N‚Í‹Ë•üŠw‰€‚ĖâV“ĄG—Yæļ–vŒã40Žü”N‚Å‚ˇB
@@@@@@@@@@@@@@@@                @                ‚P974”N‚˛Ā‹Ž‚Ė6ƒ–ŒŽ‘OA3^‚Q‚S—á‰īi‚oƒgƒŠƒI‚P”Ô)
@@@@@@@@@@@@@@@@@                                 ‚É‚˛—ˆ ’Ž‰ē‚ŗ‚ĸ‚Ü‚ĩ‚ŊB

                    @@@@@@@@@
                                                            @@@—á‰īNo2@‰Ą•l@`‚ĖŒŠ‚Ļ‚é‹uŒö‰€@ƒCƒMƒŠƒXŠŲ
                                @@@    u‰‰@ĖŪ×°ŅŊ‚Ė‰šŠy‚đ‚ŗ‚ŗ‚Ļ‚é‚ā‚Ė@ ė‹Č‰Æ@Ŧ‘q˜N

@@@@@@@@@@@@@@@@@@@@  ‰‰‘t@ĖŪ×°ŅŊ@ƒsƒAƒmŽOd‘t‹Č1”ԁ@ƒ’ˇ’˛@Op.
8
@@@@@@@@@@@@@@@@@@@@            @@
Vn‰i“c–MŽq@Vc“ĄŒ´^—@PŽ­–ė‚Ė‚čŽq@ 

                                                                       ŽĘ^:‹qČ‚ĖâV“Ąæļ (C)JBS-hagi
@@@@@@@@@@@@@@@@@


@@@@@@@@
    @@@@     
                                                  ‰īŽ42/2014          @@@@@                       “Į‚Ū(READ)@

                                            
âV“ĄG—Yæļ   Prof.Hideo Saito (1902-1974)

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 @          @(‚R)‚m‹ŋƒtƒBƒ‹ƒn[ƒ‚ƒj[@1977-12ŒŽ†@@@@@@@@@@@@@@@ @@‚P‚X‚V‚V
@@@@@@@@@@@@@@@@@@@@@@@@JBS-
No.32—á‰ī(77/10/2)ŽæŪ‚đŽķ‚¯‚é  
                             
                                          

@@@@@@@@@@@@@@@@
                                             @@@@@ã‹L‰æ‘œ5ƒy[ƒW‚Í“Į‚ß‚Ü‚š‚ņBŠŽû}‘ŠŲ“™‚ɂĉ{——Šč‚ĸ‚Ü‚ˇB

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@@@@@@@@@@@@@@@@@@@

@          (‚S) —á‰īNo 46 ‰Ē“c”Ž”ü(“–ŽžŠwļ‰īˆõ)   1979”N‘æ48‰ņ‰šƒRƒ“—DŸ‹L”O @‚P‚X‚W‚O@

                                 @@@@@       @

                                                                                               Šg‘å}

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              @@(‚T)‘æ1‰ņ Œã‰‡ƒRƒ“ƒT[ƒg@ƒ`ƒ‰ƒV@@@@@@@@@@@@@@@@@@@@@ @‚P‚X‚W‚R
                                 
@@@@@@@@@@@@    
 1983”NĖŪ×°ŅŊļ’a150Žü”N‹L”O‚Ėuƒuƒ‰[ƒ€ƒX‚Í‚¨D‚Ģ?v
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@iÅģEą°Ã¨ŊÂĨËŪ­[ہj

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‚P‚X‚W‚RD‚UD‚P ‚R@ @@@@@@@@ @@@@@@    ‚P‚X‚W‚RD‚P‚QD‚P‚W

@@@@@@@@@@@@@@@@@@@@@@@@@@@ŠÚ–ėō@@”ZŠŨŽq@ļĀŊŽi@@@@@@@@@Œ´“cKˆę˜Y@”ZŠŨŽq@ėč‰ë•v
@@@@@@@@@@@@@@@@@@@    @›–ė”Ž•ļ@‰Ąˆä‘€                   @@@@@        ļĀŊŽi@   ŠâčŸŠ@@–Ņ—˜”Œ˜Y

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        @   @ (‚Uj ’Į“‰ wƒEƒHƒ‹ƒtƒKƒ“ƒOĨƒTƒ”ƒ@ƒŠƒbƒVƒ…Ž‚ɐS‚Š‚į‚ĖŠ´ŽĶx    @‚P‚X‚W‚T^‚Q‚O‚P‚R
                  @@@@@@@@@@@@@@
Hearty thanks to Prof.‚volfgang ‚rawallisch. 

                                                    
                                           
“ú–{ƒuƒ‰[ƒ€ƒX‹Ļ‰ī(JBS)@
@@@@@@@@@@@@@@@@@@@@@@@ No78—á‰ī  u
WEģŗŪ§Ø¯ŧ­“Á•Ęu‰‰Ŗ@1985”N5ŒŽ12“ú  
@@@@     @@@@@@@@@@@@@@@ @
Dr.Wolfgang Sawallisch@JBS No.78@Lecture-Concert 
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ 12 May 1985 Tokyo
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@@@@@@@@@  
@@@@@@@@@@@@@‰īŽ41†/2013@@@@@@@@@@@@@@@@@@@@@
@@@@@      @“Į‚Ū(READ)@ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

@@@@                             @@  @@ WEģŗŪ§Ø¯ŧ­Ž @
Dr.Wolfgang Sawallisch@(1923-2013)  
              @@@@@@@@@@@@@@@@@

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                        (‚V) •ž•”–LŽq@  ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ī @@       ‚P‚X‚W‚U
@@@@@@@@@
Toyoko Hattri@@@The Concert of Brahms three Violin Sonatas

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@@@@@@@@@@@@@    @@@@ @
@@@@@@@@@@@@@@
                  1986.4.6  @ No83—á‰ī@         ‚u‚Ž •ž•”–LŽq@@Toyoko Hattri

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@@@@@@@ (‚W) ’Į“‰@ƒNƒ‹ƒgEƒ}ƒYƒAŽ@  @@ @@@@@@@@@@@@@@@  ‚P‚X‚W‚X ^‚Q‚O‚P‚T
 @@@@@ @@@@@@ 1989”N ‚i‚a‚r-No95—á‰ī‚˛—ˆ’Ž‚ɐS‚æ‚芴ŽĶ’v‚ĩA‚˛–ģ•Ÿ‚đ‚¨‹F‚č\‚ĩã‚°‚Ü‚ˇB
@@@@@@@@@@@@@@ Prof. Kurt Masur visited our Japan Brahms Society No.95 Concert
@@@@@@@@@@@@@@ in Dec.4,1989

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                                        ‰īŽ43/2015                
@“Į‚Ū(READ)@

                                 ƒNƒ‹ƒgEƒ}ƒYƒAŽ@Prof. Kurt Masur@(1927-2015)  

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    @@@@@@@@@     @@
@@@@@@@@@@@@@@@@@@@@@@
@@@@@@@@
(‚X) ‚b‚cŠĶÜ‰ī(ė•iŒ¤‹†‰ī)@@@@@@@@@@@@@@@@@@@‚P‚X‚W‚T`‚P‚X‚X‚Q@@@

   @@@@@@@@ (A)ƒuƒ‰[ƒ€ƒXĸļŠU‚ƍė•iŖ   ‘S31‰ņ@1985.11.23`1989.10.14          Šé‰æEu‰‰@ŦŽRō(‰īˆõ)

@@ @@@@@          @@ (B) SPƒŒƒR[ƒh‚Å’Ž‚­ƒuƒ‰[ƒ€ƒX@    ‘æ1‰ņ@1987.12.27
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@   @‘æ2‰ņ@1992.2.23@   Šé‰æĨu‰‰@¸ØŊÄĖ§°ENE–ėāV(ƒQƒXƒg)  

                          

                          
@@@@@@@@@@@@@@@@@@@@@@@@@@@@                                                          @@1992.2.23@@@@Photo ©JBS

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 @@@@@  (‚P‚O) “ú–{ƒuƒ‰[ƒ€ƒX‹Ļ‰ī@‘æ‚P‚O‚O‰ņ@‹L”O—á‰ī @@@‚P‚X‚X‚P
           
             Detlef Kraus  ’Š”ä“Ū—˛  George S. Bozarth  ŠeŽ‚Š‚į‚ĖŒäjŽĢ 

                                     

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  @@@@@@@ @ @ (‚P1) “V–ž“ÖŽq@      ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ī             ‚P‚X‚X‚Q
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Atsuko Temma@@@The Concert of Brahms three Violin Sonatas

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                                               1992.5.17@ No101—á‰ī          ‚u‚Ž  “V–ž“ÖŽq  Atsuko Temma

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“Į‚Ū(READ)@                      Detlef Kraus       1985-10-10  Tokyo

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               œŠHė–įĄŽu(1925-1989)ė‹Č‰Æ @ ‰īŽNo.7/1977  u“ú–{‚Ėƒuƒ‰[ƒ€ƒXv

              
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