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Japan Brahms Society
Brahms Gesellschaft Japan@


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Ą‰ïŽ46/2018  "VŠ§"”Ė”„’† ƒ„ƒ}ƒn‹âĀ“XAƒ„ƒ}ƒn‰Ą•l“X AąķÃÞÐąĨЭ°žÞŊļA‘åãƒTƒTƒ„‘“X  5/17
                                

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Ą‚Q‚O‚P‚X”NŠÔ ƒe[ƒ}@wƒsƒAƒm‹Ķ‘t‹Č1”ԁ@Op.15x
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                       œ‰Ä‹G@8/25  (“ú)   @ƒŒƒNƒ`ƒƒ[šÝŧ°Ä@Ã°Ï uƒsƒAƒm‹Ķ‘t‹Č‘æ1”ԁv@žŒī–Ŧ
                       œ“~‹G@1/26  (“ú)     No.153—á‰ï@      ƒuƒ‰[ƒ€ƒX@2‚‚Ė‹Ķ‘t‹Č
                                       
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ƒuƒ‰[ƒ€ƒX^ ƒsƒAƒm‹Ķ‘t‹Č‘æ1”Ô ƒj’Z’ē   Op.15   2‘äP”Å                            

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ĄI—đ•ņ @@@@VtƒRƒ“ƒT[ƒg@No.151“~—á‰ï  11/21up    1/9new  2/2new

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              Schumann and Brahms  2  pianos              ƒsƒAƒm˜A’e‚É‚æ‚é –ž‹ČEŒ·ŠyŽld‘t‹Č1”Ô Op.51-1 
                                Brahms SQ No.1 in C-minor Op.51-1 four-hand

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                    œƒvƒŒƒg[ƒN ^@ƒVƒ…[ƒ}ƒ“‚ƃuƒ‰[ƒ€ƒX@@@       žŒī –Ŧ @ @  (15)

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ĄI—đ•ņ@@@@@2018‰Ä‹G EÚļÁŽ°EšÝŧ°Ä  @I—đ
                                                        2018 Summer Lecture and Concert
@@@@@@@@@@@@@@@@ƒuƒ‰[ƒ€ƒX‚ĖsŒð‹ŋ‹Č1”ԁt

                                        ‘nė‰Û’ö‚ÉŠÖ‚·‚élŽ@--Œŧ‘ķŽ‘—ŋ‚ÉŠÖ‚·‚éŒĪ‹†

                        
      A Study on the Composing Process of Brahms' Symphony No.1
                                                        Research on the Extant Materials of  this Work. 
                                                                                                        Prof.Minoru Nishihara  (JBS)

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        Ą˜_•ķ‰ðā   @žŒīŒÚ–â   Description of paper      Prof. Minoru Nishihara  (JBS)

                                

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               ŠÖ˜AŽ‘—ŋ Related Documents

@@@@@@@@@@@@@@@@@@@
@@@@@@@@@@@@@@@@@@Editor Robert Pascall        @ Obituary@Robert Pascall  æ]•ņ@REĘß―š°ŲŽ
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@ ĄŒð‹ŋ‹Č1”Ô(Sym.1)^‚b‚c„‘EŠÓÜ   ’S“–@JBS ŽR“c•ŌW’·Aē“ĄŠēŽ–
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                                 @@@
                                                Editor-in-Chief  Toyoaki Yamada(Left)                  Commitee member Motoya Sato

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 @@Ą‘“āŠO‚Æ‚ĖŒð—Ž•ņ @’S“–@JBS ‰H–؉

    @@  Johannes-Brahms-Gesellschaft Hamburg@Intenationale Vereinigung e.V.@ ĘÝĖÞŲļ‘ÛĖÞŨ°Ņ―‹Ķ‰ï @@@@@

@@@@@@      
                   “Į‚Þ(READ)      ÏŊļ―ĨļØÝķÞ°/ĖÞŨ°Ņ―ĨĖ§ÝĀžÞ°/“š”ʼnæ/1894             “Į‚Þ(READ)             

 
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                        @@@
‰H–؉                           ŽR“c•ŌW’·                 õė‰ïˆõ‰ðā@(Read)
@@@@  @@            @Pres
ident  Mitsuhiko Hagi               
Editor-in-Chief  Toyoaki Yamada      Mr. Eisuke Somekawa@@

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Ą‘“āî•ņŒð—Ž@Domestic  Information
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JBS‚Í‚Q‹Ķ‰ï‚Ƃ͉i”N‰ïŽŒðŠ·‚ðŒp‘ą‚ĩ‚Ä‚Ļ‚č‚Ü‚·B 7/24@8/15

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@@@@@@@@@RICHARD WAGNER GESELLSCHAFT JAPAN @@@@   Richard Strauss Gesellschaft Japan

 
             @  Wagner Symposion 2018     @@@   @‰ï•ņ(No.97)  
                        
@@@@@@@@@@@
@   9,July,2018                                   15,Mar.2018

                      @–ÚŽŸ@TOC‚ðŒĐ‚é@@@@@@@@@@@@@@JBSŠÖ˜A@ŒĖŒī“c–ΐķæķ‚ƃuƒ‰[ƒ€ƒX  ‹LŽ–ŒöŠJ’†@8/15
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ĄŠCŠOî•ņ Œð—Ž@ International Information@
@@@@@@@@@@@ 
JBS‚Í ŠCŠOƒuƒ‰[ƒ€ƒX‹Ķ‰ï‚Ɖi”N‰ïŽŒðŠ·‚ðŒp‘ą‚ĩ‚Ä‚Ļ‚č‚Ü‚·B

@@@@Ą@‚`‚‚…‚’‚‰‚ƒ‚‚Ž@‚a‚’‚‚ˆ‚‚“@‚r‚‚ƒ‚‰‚…‚”‚™@i‚`‚a‚rj @@@•Ä‘ƒuƒ‰[ƒ€ƒX‹Ķ‰ï      2019/2/27
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@@                                          @

                    @@       
@@@@@@@@@  @@@@@@ Spring  2017  @@@@@@@@@@@@Fall 2017 


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                                                  @@@            @     @@@   
                                      @@@@@@@@@                       ABS Newsletter  Vol.XXXVI No.2     @@@  
                              
Spring  2018                              Autumn 2018               @@     
      @@@@@@@@@@@@@ @@
‚‚’‚’‚‰‚–‚…‚„ in 31,Dec. 2018@@@@@@@@                                                                                                                    @

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@@@@@@@Ą  Johannes-Brahms-Gesellschaft Hamburg@
                    Intenationale Vereinigung e.V.@
@@@@@@@@@@@@@
ƒnƒ“ƒuƒ‹ƒN‘Ûƒuƒ‰[ƒ€ƒX‹Ķ‰ï @@@@@@@@@@@@@@@ 7/24

                                                

                               JBG-Humburg( President Cord Garben )delived and introduced "BRAHMS-PHANTASIE
                    von Max Klinger facsimile edition  to JBS in 8,Feb.2018.


                          
 @@http://www.ellert-richter.de/detail.php?ISBN=978-3-8319-0689-5

         

               Ą  Johannes-Brahms-Gesellschaft Hamburg@     @@   7/26
                    Intenationale Vereinigung e.V.@@
ƒnƒ“ƒuƒ‹ƒN‘Ûƒuƒ‰[ƒ€ƒX‹Ķ‰ï  

        
          BRAHMS-POST-P.1           P.5                    P.6                   P.7  

         
        
 Schloss@Altenstein  

              D
ocuments provided by Prof.Kurt Hofmann arrived at JBS in 24.July,2018.

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Nobuhito Nakai  Lecture  and performance of Brahms

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 ĄI—đ•ņ  
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                        @  ƒVƒ…[ƒ}ƒ“‘SƒsƒAƒmė•i‚ĖŒĪ‹†(4)
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2018”N “ú–{ƒuƒ‰[ƒ€ƒX‹Ķ‰ï‚S‚TŽü”N‹L”O
         
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J
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The victory celebration of Urara Katsuki won
                     No.86 Japan music competition cello devision in 2017


                                                      ƒVƒ…[ƒ}ƒ“Eƒuƒ‰[ƒ€ƒX@@@@@@
              Schumann and Brahms
   

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148—á‰ï Ē‘ã‚ð’ī‚Ķ‚―Žš“āŠy‚Ė‹Ķ‰‰@@@@@@@@@@@@      –{“c—Tô                
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                     ƒuƒ‰[ƒ€ƒX‚Ė‹­‚ĒŽv‚Ē‚Šž‚ß‚į‚ę‚Ä‚Ē‚éė•i
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149—á‰ï@—á‰ïƒRƒ“ƒT[ƒgi“ú–{‰đŠyƒRƒ“ƒN[ƒ‹—DŸ‹L”Oj‚ɏo‰‰‚ĩ‚Ä ŒŽ —í
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                          2017”N“xŠˆ“Ū‹L˜^@@@@@@@@@@@@@@@@@@@@            dŽ  “ĩ
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    @@@@@@@   ĄJBSƒA[ƒJƒCƒu (JBS Archive)               XV 2018/12/27
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                                              @@@@@@@@@    @(C)JBS @‘S“]Ú‹ÖŽ~

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@@@@@@@@@@(‚P)‘æ1‰ņ—á‰ï@ @@ŠÞ–{^—Œ·ŠyŽld‘t’c @@@@@@@@@@@  @‚P‚X‚V‚R
@@@@@@@@@@@@@@@@@ @uĖÞŨ°Ņ―@Žš“āŠy‚Ė—[‚Ũv@ĖßÛļÞŨŅ‚æ‚č

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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@@@@@@@@@@@@@@@

@@@@@@@@@@@@@@      ŠÞ–{^—Œ·ŠyŽld‘t’c@@@ĖÞŨ°Ņ―/Œ·ŠyŽld‘t‹Č‘æ2”ԁ@@Vn@ŠÞ–{^—A—F“cŒ[–ū
@@@@@@@@@@@@@@@@@1973.9.16  6:30pm@@@@@ @ĖÞŨ°Ņ―/Œ·ŠyŽld‘t‹Č‘æ3”ԁ@@Va@›Ā€ƒjAVc •Ār•v
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  ĖÞŨ°Ņ―/ļŨØČŊČ܏d‘t‹Č@@@@cl  –k’Ü—˜Ē

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@@@@@@ (‚Q) âV“ĄG—Yæķ–vŒã40Žü”N@@@@@@@@@@@@@@@@@@@‚P‚X‚V‚S ^‚Q‚O‚P‚S
                                          
    ‚ēĀ‹Ž”ž”N‘O‚Ė1974”N—á‰ïNo2‚Ö‚Ė‚ēŽQ‰Á‚ÉŠīŽÓ@
 
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The 40th anniversary of Prof.Hideo.Saitofs death.
                                                                      The many thanks to joinnng our No2 concert in 1974
                                                                       just half year before his death

@@@@@@@@@@@@@@@@@         2014”N‚Í‹Ë•üŠw‰€‚ĖâV“ĄG—Yæķ–vŒã40Žü”N‚Å‚·B
@@@@@@@@@@@@@@@@                @                ‚P974”N‚ēĀ‹Ž‚Ė6ƒ–ŒŽ‘OA3^‚Q‚S—á‰ïi‚oƒgƒŠƒI‚P”Ô)
@@@@@@@@@@@@@@@@@                                 ‚É‚ē—ˆ ’Ū‰š‚ģ‚Ē‚Ü‚ĩ‚―B

                    @@@@@@@@@
                                                            @@@—á‰ïNo2@‰Ą•l@`‚ĖŒĐ‚Ķ‚é‹uŒö‰€@ƒCƒMƒŠƒXŠŲ
                                @@@    u‰‰@ĖÞŨ°Ņ―‚Ė‰đŠy‚ð‚ģ‚ģ‚Ķ‚é‚ā‚Ė@ ė‹Č‰Æ@Ž‘q˜N

@@@@@@@@@@@@@@@@@@@@  ‰‰‘t@ĖÞŨ°Ņ―@ƒsƒAƒmŽOd‘t‹Č1”ԁ@ƒ’·’ē@Op.
8
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Vn‰i“c–MŽq@Vc“ĄŒī^—@PŽ­–ė‚Ė‚čŽq@ 

                                                                       ŽĘ^:‹qČ‚ĖâV“Ąæķ (C)JBS-hagi
@@@@@@@@@@@@@@@@@


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    @@@@     
                                                  ‰ïŽ42/2014          @@@@@                       “Į‚Þ(READ)@

                                            
âV“ĄG—Yæķ   Prof.Hideo Saito (1902-1974)

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@

 @          @(‚R)‚m‹ŋƒtƒBƒ‹ƒn[ƒ‚ƒj[@1977-12ŒŽ†@@@@@@@@@@@@@@@ @@‚P‚X‚V‚V
@@@@@@@@@@@@@@@@@@@@@@@@JBS-
No.32—á‰ï(77/10/2)ŽæÞ‚ðŽó‚Ŋ‚é  
                             
                                          

@@@@@@@@@@@@@@@@
                                             @@@@@ã‹L‰æ‘œ5ƒy[ƒW‚Í“Į‚ß‚Ü‚đ‚ņBŠŽû}‘ŠŲ“™‚ɂĉ{——Šč‚Ē‚Ü‚·B

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@@@@@@@@@@@@@@@@@@@

@          (‚S) —á‰ïNo 46 ‰Š“c”Ž”ü(“–ŽžŠwķ‰ïˆõ)   1979”N‘æ48‰ņ‰đƒRƒ“—DŸ‹L”O @‚P‚X‚W‚O@

                                 @@@@@       @

                                                                                               Šg‘å}

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              @@(‚T)‘æ1‰ņ Œã‰‡ƒRƒ“ƒT[ƒg@ƒ`ƒ‰ƒV@@@@@@@@@@@@@@@@@@@@@ @‚P‚X‚W‚R
                                 
@@@@@@@@@@@@    
 1983”NĖÞŨ°Ņ―ķ’a150Žü”N‹L”O‚Ėuƒuƒ‰[ƒ€ƒX‚Í‚ĻD‚Ŧ?v
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@iÅŧEą°ÃĻ―ÂĨËÞ­[ہj

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‚P‚X‚W‚RD‚UD‚P ‚R@ @@@@@@@@ @@@@@@    ‚P‚X‚W‚RD‚P‚QD‚P‚W

@@@@@@@@@@@@@@@@@@@@@@@@@@@ŠÚ–ėō@@”ZŠÝŽq@ķĀ―Ži@@@@@@@@@Œī“cKˆę˜Y@”ZŠÝŽq@ėč‰ë•v
@@@@@@@@@@@@@@@@@@@    @›–ė”Ž•ķ@‰Ąˆä‘€                   @@@@@        ķĀ―Ži@   ŠâčŸĐ@@–Ņ—˜”Œ˜Y

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                @

        @   @ (‚Uj ’Į“‰ wƒEƒHƒ‹ƒtƒKƒ“ƒOĨƒTƒ”ƒ@ƒŠƒbƒVƒ…Ž‚ɐS‚Đ‚į‚ĖŠīŽÓx    @‚P‚X‚W‚T^‚Q‚O‚P‚R
                  @@@@@@@@@@@@@@
Hearty thanks to Prof.‚volfgang ‚rawallisch. 

                                                    
                                           
“ú–{ƒuƒ‰[ƒ€ƒX‹Ķ‰ï(JBS)@
@@@@@@@@@@@@@@@@@@@@@@@ No78—á‰ï  u
WEŧģÞ§ØŊž­“Á•Ęu‰‰Ģ@1985”N5ŒŽ12“ú  
@@@@     @@@@@@@@@@@@@@@ @
Dr.Wolfgang Sawallisch@JBS No.78@Lecture-Concert 
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ 12 May 1985 Tokyo
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@@@@@@@@@  
@@@@@@@@@@@@@‰ïŽ41†/2013@@@@@@@@@@@@@@@@@@@@@
@@@@@      @“Į‚Þ(READ)@ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

@@@@                             @@  @@ WEŧģÞ§ØŊž­Ž @
Dr.Wolfgang Sawallisch@(1923-2013)  
              @@@@@@@@@@@@@@@@@

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@

                        (‚V) •ž•”–LŽq@  ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ï @@       ‚P‚X‚W‚U
@@@@@@@@@
Toyoko Hattri@@@The Concert of Brahms three Violin Sonatas

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@@@@@@@@@@@@@    @@@@ @
@@@@@@@@@@@@@@
                  1986.4.6  @ No83—á‰ï@         ‚u‚Ž •ž•”–LŽq@@Toyoko Hattri

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@@@@@@@ (‚W) ’Į“‰@ƒNƒ‹ƒgEƒ}ƒYƒAŽ@  @@ @@@@@@@@@@@@@@@  ‚P‚X‚W‚X ^‚Q‚O‚P‚T
 @@@@@ @@@@@@ 1989”N ‚i‚a‚r-No95—á‰ï‚ē—ˆ’Ū‚ɐS‚æ‚čŠīŽÓ’v‚ĩA‚ē–ŧ•Ÿ‚ð‚Ļ‹F‚č\‚ĩã‚°‚Ü‚·B
@@@@@@@@@@@@@@ Prof. Kurt Masur visited our Japan Brahms Society No.95 Concert
@@@@@@@@@@@@@@ in Dec.4,1989

@

                            
                            

                                   
                                        ‰ïŽ43/2015                
@“Į‚Þ(READ)@

                                 ƒNƒ‹ƒgEƒ}ƒYƒAŽ@Prof. Kurt Masur@(1927-2015)  

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    @@@@@@@@@     @@
@@@@@@@@@@@@@@@@@@@@@@
@@@@@@@@
(‚X) ‚b‚cŠÓÜ‰ï(ė•iŒĪ‹†‰ï)@@@@@@@@@@@@@@@@@@@‚P‚X‚W‚T`‚P‚X‚X‚Q@@@

   @@@@@@@@ (A)ƒuƒ‰[ƒ€ƒXĒķŠU‚ƍė•iĢ   ‘S31‰ņ@1985.11.23`1989.10.14          Šé‰æEu‰‰@ŽŽRō(‰ïˆõ)

@@ @@@@@          @@ (B) SPƒŒƒR[ƒh‚Å’Ū‚­ƒuƒ‰[ƒ€ƒX@    ‘æ1‰ņ@1987.12.27
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@   @‘æ2‰ņ@1992.2.23@   Šé‰æĨu‰‰@ļØ―ÄĖ§°ENE–ėāV(ƒQƒXƒg)  

                          

                          
@@@@@@@@@@@@@@@@@@@@@@@@@@@@                                                          @@1992.2.23@@@@Photo ©JBS

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@@@@@@@@

 @@@@@  (‚P‚O) “ú–{ƒuƒ‰[ƒ€ƒX‹Ķ‰ï@‘æ‚P‚O‚O‰ņ@‹L”O—á‰ï @@@‚P‚X‚X‚P
           
             Detlef Kraus  ’Đ”ä“Þ—ē  George S. Bozarth  ŠeŽ‚Đ‚į‚ĖŒäjŽŦ 

                                     

                        @      @@@@   @“Į‚Þ(READ)@

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@

  @@@@@@@ @ @ (‚P1) “V–ž“ÖŽq@      ƒuƒ‰[ƒ€ƒX:ƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘S‹Č‰‰‘t‰ï             ‚P‚X‚X‚Q
@@@@@@@@@@@
Atsuko Temma@@@The Concert of Brahms three Violin Sonatas

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                                               1992.5.17@ No101—á‰ï          ‚u‚Ž  “V–ž“ÖŽq  Atsuko Temma

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“Į‚Þ(READ)@                      Detlef Kraus       1985-10-10  Tokyo

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